Photo by Larry Brownstein
The first “secret” of street photography is putting in the time. You have to be out there, so that the lucky, strange, exciting and unusual can happen – and happen where you are.
I go out pretty often with my camera and after a while you develop an extra sense of where to go and where to be. It is like meditation in some ways: on certain days I am really in the moment, really prepared, really present. Those are the days when good things can happen in front of the camera - – like with these shots taken in Venice Beach, Los Angeles.
I like to shoot wide angle because getting really close gives an immediacy you don't get from being further away. Some photographers like big lenses because the longer focal length can distinguish their images from those of amateurs, but all a telephoto can do is isolate while with a wide angle every photo can look a little different.
The other secret is to blend in. You need to know how not to annoy people, how to look like you belong. If you give off an aura of “This is my job”, that will go a long way.
Sometimes people do get annoyed and you have to decide how much you are willing to let them be annoyed to get what you want.
Take me there